Monday, November 26, 2012

Associations

It's time to play, "name that association!" Where you name a composer and I name a conductor or orchestra who is associated with them (we're talkin' symphonic music here). 

Composer Conductor Orchestra
Beethoven Kleiber -
Berlioz Munch BSO
Mozart Szell Cleveland
Wagner Solti -
Mahler Bernstein -
Tchaikovsky Koussevitzky
Verdi Toscanini
Shostakovitch Mravinsky
Stravinsky Monteux
J. Strauss - Vienna Philharmonic

Monday, November 12, 2012

Radetzky March through the (New) Years

A long-time favorite of mine are the New Year's Concert put on by the Vienna Philharmonic, and in particular, Strauss' 'Radetzky March.' I took it upon myself to painstakingly cull youtube to present this list.

1987 - Karajan
https://www.youtube.com/watch?v=FHFf7NIwOHQ&feature=related

1989 - Kleiber
https://www.youtube.com/watch?v=DYB4c163dJA

1991 - Abbado
https://www.youtube.com/watch?v=q-G5HwYQRkE

1993 - Muti
https://www.youtube.com/watch?v=gB0ayPXf5Y0

1996 - Maazel
https://www.youtube.com/watch?v=J5-yCg0OxYs

2001 - Harnoncourt
https://www.youtube.com/watch?v=YmHP2h2bYVw

2002 - Ozawa
https://www.youtube.com/watch?v=wfB3sUlS0Ck

2003 - Harnoncourt
https://www.youtube.com/watch?v=wK53FUaMAbs

2004 - Muti
https://www.youtube.com/watch?v=0_OoqkS_obY

2007 - Mehta
https://www.youtube.com/watch?v=BSKKLROWgOI

2008 - Prêtre
https://www.youtube.com/watch?v=46k7Gp5L0v4

2009 - Barenboim 
https://www.youtube.com/watch?v=9Ll9bZXgj3A

2010 - Prêtre
https://www.youtube.com/watch?v=YeoUARw1R78

2011 - Welser-Möst
https://www.youtube.com/watch?v=_VDzca0ycCg&feature=related

2012 - Jansons
https://www.youtube.com/watch?v=UO1mvXAsfCc

2013 - Welser-Möst


If you'd like to attend don't worry because tickets are sold on a lottery system and you might get lucky -- you'll have to commit by the second week of January though! For those who wanted to know more about the concerts...there's always wikipedia:
en.wikipedia.org/wiki/Vienna_New_Year's_Concert

Tuesday, October 30, 2012

Some piano music

Bach - French Suite No 2 - Richter
What a wonderful recording!


Bach - French Suites 1-6 in recital - Schiff
https://www.youtube.com/watch?v=QeBz6BMQVOo&feature=fvwrel

Bach - French Suite No 6 - Mieczyslaw Horszowski
https://www.youtube.com/watch?v=VhSgTR3R7uc&feature=related

Haydn - Late Piano Sonatas - Gould
https://www.youtube.com/watch?v=CNKJ0VH9uQA&feature=related

Bach 2 and 3-part inventions - Gould
https://www.youtube.com/watch?v=ZII_OWJcUfY&feature=related

Bach - Well-Tempered Clavier - Richter
All 48!


Monday, October 29, 2012

Equivalencies

As a musician who plays the clarinet, the idea of relating a concept on one instrument to another is vital; we don't want to live in a bubble. Additionally, considering these equivalencies can help bolster our understanding of each individually.

I give the source where I first learned this concept -- not the original source.

The list

Playing your instrument <-> SINGING
Nearly every fine musician and teacher

Air support <-> Bowing
Using a full breath of air in and out <-> Playing tip to frog
Arnold Jacobs

Vibrato <-> Pedal on the piano
Andras Schiff

Tone Quality <-> Color

Sharpness of attack <-> Syllables (Ta, Da, Do, Hu etc)

Phrasing <-> Speech
David McGill, "Sound in Motion"

Tuesday, October 16, 2012

Can you subdivide that for me? And other questions you should never ask a conductor during a rehearsal

I've been playing in a community band which inspired these and where I have heard a few of asked verbatim! 

1. Can you subdivide that for me?
...because I can't do that for myself
2. What note do I have at...?
You're wasting everyone's time
3. What's the tempo at...?
The entire point of a conductor is to show the tempo...watch and find out!
4. How are you going to conduct...?
...watch and find out!
5. Can I borrow your pencil?
6. Could we practice that under tempo?
Practice on your own time
7. Could you cue me?
...because I don't want to count my rests 
8. Should I play with the soloist or with you?
With the conductor! It's their job to be with the soloist
9. I'm lost, where are we?
10. Was that ok?
I'm with David McGill on this one, never show any weakness to a conductor! 




Friday, October 5, 2012

Der Erlkönig

One of the great things about YouTube is how easy it is to compare recordings to find 'the best' one. There are thousands of examples where one can compare a vocalist and an instrumentalist playing a transcription. I particularly enjoy Schubert's "Der Erlkönig" in both guises -- because they are different pieces.

First the incomparable Fischer-Dieskau and Moore:

The incomparable Richter plays Liszt's transcription, one which is more muscular and fraught than the original.
 
 To compare these two "incomparable" artists....they both sing!

Friday, September 28, 2012

Mozart's Gran Partita - A treasure of the wind repertoire

George Szell conducting members of the wind section from the Cleveland Orchestra at Severance Hall, 1969. This is a real Youtube treasure -- one of the best recordings of the best wind music ever written. There are other great recordings: Furtwanger and Berlin (I think) and Marcel Moyse (recommended by David McGill) but I prefer this one. It has everything I love about Szell conducting Mozart: precision, refinement and expression in superb classical proportions.

Conductor: George Szell
Clarinet: Robert Marcellus
Oboe: John Mack
Horn: Philip Farkas 

Mov't 1
Movement 2


Movement3




M 4


M6



M7

 

Kleiber: Beethoven 4 and 7

Kleiber's 1983 concert with the Concertgebouw Orchestra. Watch, listen and enjoy!

Monday, September 17, 2012

Heifetz Masterclass

Heifetz Masterclass 1 - violin

https://www.youtube.com/watch?v=szXaTRE3tL0&feature=relmfu

Heifetz Masterclass 2 - violin
https://www.youtube.com/watch?v=d3pLwVhm7xY&feature=related

3
https://www.youtube.com/watch?v=kAMhxFEGsns&feature=relmfu

4
https://www.youtube.com/watch?v=-DtMiuPusFY&feature=relmfu

Sunday, September 16, 2012

Kleiber: Maximum tension

The wonderful documentary "Carlos Kleiber: Traces to Nowhere" serves as a great introduction to Kleiber and what made him special. The extraordinary lineup of guests provide great insight into this reclusive genius.

"Maximum tension, not just high tension, maximum tension was what he conveyed both to the audience and the musicians." - Klaus Konig, oboist in SDR Orchestra

I think this idea of maximum tension gets at what makes Carlos Kleiber unique. Below I identify two examples. 

Schubert's 'Unfinished'



Woodwinds bars: 170-175
The climax, and moment of maximum intensity, arrives after a series of ff outbursts. Consider the woowinds shown, shown above, and their trill.

In the climax in the first movement we get a true sense of the terror in the music. The strings have a simple minor pattern (Hanon anyone?) , but it is played with such intensity!
Strings I and II - bars 176-178
A major difference between this recording and many others are the ostinato parts in the horns, trumpets, timp. and oboe. The horns in particular really kick out the sound to replace the timpani.
Finally the trombones play the melody with the "choppy quality" that Callas was after in the Rigoletto masterclass. Nothing ruins this dramatic section like a trombone section trying to play with a beautiful legato here -- no such thing is needed.

  Coriolan Overture: Running into a wall at 60mph

Kleiber wanted the downbeat to hit the audience without giving it away with an enormous upbeat gesture. He found the solution in a tape of Duke Ellington and his band. "The Duke and I whipped a downbeat sans upbeat out of nowhere for the start and similar 'starts', making it sound like running into a wall at 60mph with a Rolls-Royce, OK?" - Carlos Kleiber, correspondence with Charles Barber.


Friday, September 14, 2012

Callas Masterclass - 1

Maria Callas Masterclass

There's nothing new here: I've taken the audio clip of the session, which is freely available here, and Verdi's score from here and presented them below.







Thursday, September 13, 2012

Introducing Carlos Kleiber!

Carlos Kleiber conducting Unter Donner und Blitz, Op. 324 by Johann Strauss Jr in 1986 with the Bavarian State Orchestra.
 
It may be found here: http://www.youtube.com/watch?v=IomRh4Wir2M

 This is an important Kleiber document because the camera stays on him through the entire piece (short though it may be) and we can clearly see all the gestures he uses to get the expression he's after. So, for those who already know him to those who don't, there's much to gain by studying this little video. I apologize for having to use a piano reduction, but that's what there is. It starts out with a charming polka, with Kleiber giving a nice smooth sweeping gesture. 
An exciting crescendo figure follows, giving a nice contrast to the flowing figure before. Notice how Kleiber builds the intensity using his left hand (how can't you!). 
And now my favorite bit, the woodwinds chirp in with this cute little refrain. And Kleiber gives the signal with a Touchdown! gesture towards the woodwinds in the recap -- you can't miss that either!
Lastly, note the attention Kleiber pays to the bass drum and cymbals -- they are the thunder and lightning after all! The thumps and crashes are set in relief against the charming tune in the strings. What an encore!

Since I'm running out of steam I'll just add these here: note how the the beginning of some phrases begin (woodwinds!!) -- as if they are butting into an ongoing conversation, note how Kleiber controls the intensity (by calming and inciting) of the music, and note anything else I haven't mentioned and pop it into the comments. Thanks.

Wednesday, September 12, 2012

Welcome to my blog

For the most part this blog will be about classical music. It will focus on the "great" artists and composers of the past, eschewing for the most part the day-to-day goings on. 

Since I have no formal musical training, I learned a lot from Bernstein's Young Peoples Concerts, Andras Schiff's lectures, Maria Callas' masterclasses, and of course by listening to a lot of music! Therefore, some of the following posts will be a companion of sorts to this type of material, with embedded musical scores and audio, allowing folks like myself to learn more about music straight from the "greats".

The other part of this blog of course, will entail my opinionating on music -- hopefully referencing the score in some useful way. As usual, it's up to the reader to sort through the rubbish to find what's actually useful to them; I'll try my best to make it an easy search.